![]() It used more integrated circuit technology to make components smaller, and hence allowed for a sleeker design. 1987 - HS/HX series Electones became more digital here. The F series Electones were the first to allow users to digitally save registrations via pistons and then save them to RAM packs or an external disk drive unit: MDR-1. 1983 to 1986 - FC/FE/FS/FX series Featured FM (Frequency Modulation) tone generators and the FX series featured the company's first digitally sampled sounds for the onboard percussion/rhythm units. But it does not have any analog VCO's in it. E-70's architecture resembles the famous CS-80 synthesizer. 1977 - EX-1, EX-2 The 3rd generation of stage models 1977 - E-70 One of the first home based organs to feature Yamaha's PASS (Pulse Analog Synthesis System) in a console cabinet. James, Stevie Wonder, Keith Emerson, John Paul Jones of Led Zeppelin, and Benny Andersson of ABBA. Some notable users of the GX-1 include Richard D. It used velocity-sensitive keyboards and the solo keyboard was even after-touch sensitive. ![]() GX-707) The first polyphonic synthesizer in Electone form, bridging the gap between synthesizer and organ. 1974 - Designing of Electones around synthesisers, instead of organs 1974 - CSY-1 Based on the SY-1 synthesizer. It was also the first to use integrated circuits, although it was still based on analogue technology. 1970 - EX-42 This became Yamaha's first commercially available stage model Electone. Yamaha began exporting Electones to the United States, starting with the D-2B in 1967.ġ968 - EX-21 prototype Different from prior Electones, it was expressly designed for stage performances. ![]() ![]() ![]() See also: List of Yamaha products § Electone Electones were to be found not only in homes, especially in Japan and elsewhere in the East Asia, but also in bands and other solo and group public performances. This allowed Electone's survival as the traditional home electronic organ market dried up.īy the 1980s, many of the most famous names had ceased home production, but the Electone successfully transitioned to the modern world of digital synthesizers, now competing with such new electronic products as Moog Music, Wersi, and later Kurzweil. By 1980, with the market waning sharply, and some manufacturers ceasing production, the Electone line embraced digital technology. The Yamaha Electone series debuted in 1959 with the D-1, a home instrument. By the end of the 1950s, familiar brand names of home organs in addition to Hammond included Conn, Kimball, Lowrey, and others, while companies such as Allen and Rodgers manufactured large electronic organs designed for church and other public settings. After Hammond pioneered the electronic organ in the 1930s, other manufacturers began to market their own versions of the instrument. ![]()
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